The Thirty Boys (Ottuz Oghul Meshrep) Full Film. Produced by Uyghur Meshrep Project. The Thirty Boys (Ottuz Oghul Meshrep) 2022. An ethnographic film, directed by Mukaddas Mijit. Uyghurs in Kazakhstan occupy an uneasy space, one eye towards the growing ethnic nationalism of their host country, one eye towards China’s ongoing policies of securitisation, incarceration and
Meshrep gatherings are widely viewed by Uyghurs in Kazakhstan as tools for community building and education. As Qurban Oktyabir, a long-standing meshrep member based in Almaty, explains: We meet together in order to create solidarity among our people. People get to know each other through meshrep; they learn right from wrong, they how to act
The Thirty Boys / Ottuz Oghul. 2022 A film by Mukaddas Mijit Uyghur communities in Kazakhstan occupy an uneasy space, one eye towards the growing ethnic nationalism of their host country, one eye towards China’s ongoing policies of securitisation, incarceration and cultural erasure in their homeland. This film documents the attempts made by Uyghurs in
Rachel HarrisAugust 2020, Kazakhstan The Almaty meshrep has played the leading role in the meshrep revival in Kazakhstan over the past decade. It began in 2009, led by Meshrep Beg Burhan Tajidinov, based on models of meshrep from the Uyghur homeland. It serves as a model for other meshrep groups in Kazakhstan. Burhan is invited by new groups to
Rachel HarrisAugust 2020, Kazakhstan The town of Zharkent, or Yerkent in the Uyghur pronunciation, lies in southeast Kazakhstan, near the Chinese border crossing and trading centre of Khorgas. It is an important centre for Uyghurs, many of whom arrived from the neighbouring Ghulja region of the Uyghur homeland (Xinjiang) in the late 1950s. The Yerkent
Rachel Harris August 2020, Kazakhstan Kayrat, or Gheyret in the Uyghur pronunciation, is a small town in southeast Kazakhstan, which lies an hour’s drive east from Almaty. The town is 80% Uyghur, but it is home to many different ethnicities: Kazakhs, Russians, Turks, Azarbaijans and Germans, though many left after independence, even a few remaining
Rachel Harris (Principal Investigator) Rachel Harris teaches at SOAS, University of London (www.soas.ac.uk/staff/staff31068.php) . Her research focuses on expressive culture, religious life, and the politics of heritage in China and Central Asia. Her co-edited volumes include Situating the Uyghurs: between China and Central Asia (Ashgate 2007) and she is the author of The Making of a Musical
