Category: Uyghur meshrep

The Thirty Boys (Ottuz Oghul) Full Film

The Thirty Boys (Ottuz Oghul). 2022. An ethnographic film, directed by Mukaddas Mijit. Uyghurs in Kazakhstan occupy an uneasy space, one eye towards the growing ethnic nationalism of their host country, one eye towards China’s ongoing policies of securitisation, incarceration and cultural erasure in their homeland. The Thirty Boys documents their attempts to revive traditional

Establishing a new meshrep in an Almaty suburb, 4 July 2022

Meshrep gatherings are widely viewed by Uyghurs in Kazakhstan as tools for community building and education. As Qurban Oktyabir, a long-standing meshrep member based in Almaty, explains: We meet together in order to create solidarity among our people. People get to know each other through meshrep; they learn right from wrong, they how to act

The Thirty Boys: Uyghur Meshrep trailer

The Thirty Boys / Ottuz Oghul. 2022  A film by Mukaddas Mijit Uyghur communities in Kazakhstan occupy an uneasy space, one eye towards the growing ethnic nationalism of their host country, one eye towards China’s ongoing policies of securitisation, incarceration and cultural erasure in their homeland. This film documents the attempts made by Uyghurs in

A Bahar Chay (Spring Tea) in Gheyret Suburb, Almaty, 2019

by Rachel Harris Alongside the meshrep revival in Kazakhstan, a less well-known women’s chay revival has flourished. It has focused on the same goals of education, cultural revival, social cohesion and mobilisation, and often works in tandem with men’s initiatives at local level. Like meshrep, chay gatherings (essentially tea parties) assume complex ritual and social meanings

Almaty Meshrep

Rachel HarrisAugust 2020, Kazakhstan The Almaty meshrep has played the leading role in the meshrep revival in Kazakhstan over the past decade. It began in 2009, led by Meshrep Beg Burhan Tajidinov, based on models of meshrep from the Uyghur homeland. It serves as a model for other meshrep groups in Kazakhstan. Burhan is invited by new groups to

“A Weekly Mäshräp to Tackle Extremism”: Music-Making in Uyghur Communities and Intangible Cultural Heritage in China

RACHEL HARRIS ABSTRACT  This article provides an in-depth study and critique of the nomination and inscription of an item on UNESCO’s lists of intangible cultural heritage, and the developments following its acceptance. China is now a major partner in UNESCO’s heritage projects, but the application and experience of heritage initiatives across China has been highly